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                <text>As the UK grows increasingly hostile toward immigrants, ON THE LINE engages what Fred &#13;
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                <text>Francesca Allen’s Konkursas depicts participants in Lithuania’s Konkursas Pasaulio Ilgaplaukės annual competition for the world’s longest hair. Here hundreds of girls and women with thousands of feet of hair walk the runway and have their lovingly groomed hair measured by gloved judges, before shaking it in a ceremonial finale. Allen’s fascination with ritual and coming-of-age sparked her interest in the contest, one which blends pageantry with folklore and allows the artist to deepen her thoughts on hair within femininity: “Hair influences how we are perceived by others, how professional we appear, our identity, our religion and culture. It plays a huge role in the enactment of self and also our discrimination against others.” The resulting photographs—haunting, funny, slightly surreal—explore the dichotomy between modernity and tradition, obsession and aspiration, and ideas of girl- and womanhood.&#13;
&#13;
This book is the first of many to be printed and published by Steidl in collaboration with Chloé Arts, an initiative driven under the creative direction of Chemena Kamali, embracing Chloé’s legacy of female creativity. Its mission is to celebrate outstanding female talent, nurture emerging artists, and create unexpected interdisciplinary conversations across different fields of the arts.&#13;
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                <text>Night is a special time. Many spend it at home, in front of the TV or smartphone screen, but not everyone. Public transport drivers and doctors also work at night, some engage in nighttime sports, others return home from gatherings, and lovers stroll embracing each other. At night, encounters with people and objects are perceived as unique, as if the daytime noise has been lifted from the world, and only special events pass through the nocturnal filter.&#13;
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Perhaps this happens because in the genetic memory of every person, nighttime has been imprinted as the most dangerous period. Predators go hunting at night, and attacks from hostile tribes can occur. In unsafe urban areas, the risk of assault is higher than during the day. In darkness, a person loses the sharpness of vision, and therefore, control over the world around him. That’s why at night, a person’s senses and perception become heightened, even if they are in a safe place. We perceive the world differently at night.&#13;
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I aim to showcase moments that imply a narrative: the hidden beginnings and endings of untold stories. These are the instances where our heightened senses at night scream that they cannot exist on their own, that there is something concealed from us nearby. By day, they might be mundane scenes, but at night, they take on new meaning, unsettling the vestiges of our psyche, which, much like in the Stone Age, scans the night for a tiger rather than an antelope.</text>
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I often pass by Orbita on my way to and from work. As autumn and winter fog descends upon Almaty, I find myself drawn to the edges of Orbita, where Soviet edifices loom like specters in the fog. I’ve always wanted to take a stroll there and explore this area.&#13;
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From January to March of 2024, I embarked on a quest — a visual odyssey dedicated to capturing the essence of Orbita in a visual diary. I started this project on the day of an earthquake in Almaty January 22nd and finished it on my birthday, March 2nd. The diary tells about the light and dark sides of Orbita: about children’s ice rinks, past murders, graffiti, space communication ground station and meetings with old friends, but mostly it talks about my perception of the surrounding world.&#13;
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Early collections of knowledge about the world, such as libraries and encyclopaedias also include Cabinets of Curiosities. These collections prefigured the museums of modern times, when collectors began to favour taxonomies based on science and history. The digital world, in which we can include AI, is perhaps the most recent episode in this story of ‘completist’ projects which attempt to lay out the world before us.&#13;
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