https://photobookcafe-archive.co.uk/files/original/00557a8d1f44ddcd93e19c6f08c352a8.jpg 2770cc4a7c29ffe25bd662badf56a755 https://photobookcafe-archive.co.uk/files/original/32d9a6b85fc232892fbdd2ed7fdeea08.jpg d904e3fc7534dbe2f62d61c205730b33 https://photobookcafe-archive.co.uk/files/original/4227bd918be611d5c0d731ba634b268c.jpg ced291aee66d51f95b52560b88433bd7 https://photobookcafe-archive.co.uk/files/original/0d778a637d0c4dcb8ba188f332674f9b.jpg 1e6af66515d2e311bccf4fd89c9719e4 https://photobookcafe-archive.co.uk/files/original/202596c733e64872edfbcc20911dc5c2.jpg 01b9646f9db45d9c940934d1c01fbff4 https://photobookcafe-archive.co.uk/files/original/9e38693e09cf79e7ab9466a5f3b1bbb5.jpg 2f0fc819ed1ca618b3506a64fda352d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sociopolitical Book Photo Book Dimensions Dimensions of object in cm 150mm × 210mm Number of Pages Number of Pages 118 Number of images Number of images 54 Edition Size Edition Size 250 Place of Publication Place of Publication London,UK Designer Designer Dirtyillness Editor Editor Dirtyillness Printer Printer Dirtyillness ISBN ISBN ISBN: 978-1-9162765-1-2 URL Link to project URL Link to project https://www.dirtyillness.com Where to buy Where to buy https://www.dirtyillness.com https://www.waterstones.com/book/habitat/daleya-marohn/9781916276512 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Habitat <span style="text-decoration: underline;">Shelfmark - 276.SP/DOC.MAROHN</span> Creator An entity primarily responsible for making the resource Daleya Marohn Description An account of the resource Habitat is a series of photographs taken between 2016 and 2020. Marohn captured these photographs of homelessness whilst walking through Central London. During 2016 Marohn became acutely aware of an increase in tents outside London Underground Stations. It was then she decided to document the looming epidemic of homelessness. Marohn was drawn to the subject by the stark contrast between the misery of homelessness and the wealth of the city. With their meagre belongings, they invariably made a very distinct ‘habitat’ out of their environment even in the most extreme circumstances. They made out of what little they possessed or could find a kind of identifiable ‘home’. It became routinely obvious that many passers-by were oblivious and lacked care due to desensitisation. The project was approached counter-intuitively. Marohn documented the subject matter by removing all human presence from the frame to avoid an invasion of privacy. This had an effect of heightening a sense of desolation, isolation and destitution. Simultaneously, the eccentric and highly individualised ‘order within disorder’ was brought into sharp relief. Marohn states: “I was conflicted as I found a certain aesthetic beauty in the arrangement of the material objects in the frame, yet it was difficult witnessing scenes of deprivation in this wretched social condition.” Format The file format, physical medium, or dimensions of the resource Softcover Matt 170gsm Sewn Perfect Bound Date A point or period of time associated with an event in the lifecycle of the resource 2020 Publisher An entity responsible for making the resource available Dirtyillness "Home" "Habitat" "Homeless" "Homelessness" "London"